Coming out of my screening I heard another audience member say that ‘fast and the furious is dead. Too much green screen and it got too silly, this film is the madness’. And I agree completely, because yes, I had a ton a jokes about fast and furious reboots and how vin now has hair but why would I silly this, this masterpiece with comparisons to that beached whale of a franchise? Because this is light years beyond fast and the furious.
Imagine the film that you thought drive was going to be, then throw in the verve, swagger, attitude, soundtrack and sunglasses of The Blues Brothers, throw in a spark of madness and your pretty much at Baby Driver.
Edgar wright has truly made his masterpiece in a film that far surpasses the ice cream trilogy.
Taking the relatively simple story of criminal meets girl, criminal has to do one last job, last job goes sideways, allies and enemies shift… you may think you know the drill but there’s enough twists in the tale to keep you entertained throughout.
Special credit has to go to the cast , from Lily James as the love interest, to Keiza Soz… I mean frank Underwood as a mob boss, even Jaime Foxx- attempting to atone for Sleepless whilst still chewing all the scenery he can get his mitts on. But special credit has to go to Ansel Elgort of Divergent franchise fame, as the titular character, who dances around the set rocking a seemingly unlimited supply of sunglasses, iPods and attitude whilst speaking maybe 10-15 words in the film.
Speaking of iPod’s, forget Guardians of the Galaxy, this is the soundtrack to own this summer. I’ve had it on repeat since I got home from my screening and it rules. My neighbors seem to like it as well- they keep banging on the walls to get me to turn it up.
And I guess spending all that money on song rights meant that the reason that there was no cgi or green screen was because Wright had run out of cash? Either that or Wight had a deep desire to show actual pulse pounding car chases instead of CGI cartoons? Either way he’s proven my theory that CGI and green-screen will never, ever, look as good as an actual car driven by an actual person doing actual stunts.
Throw in some amazing one take shots of car chases, Baby dancing around apartments and Atlanta whils’t never being placed in the corenr, that must have been a nightmare to film and you’ve got yourself a classic.
Hell, I haven’t even gotten to the dialogue which cracks and sparkles better than Tarentino on his best day. My audience laughed more at this than any comedy more that I’ve sat through this year.
I mean, one poor, brave soul even tried to applaud at the end credits.
But, as this isn’t mad max fury road, this isn’t a perfect film. It could do with 15 minute being taken off the runtime and the main couple fall in love faster than a Disney princess. And i’ll be charitable and say that the characters aren’t exactly for the ages and that unless Keizer Underwood has one hell of a cleanup team or the dirtiest cops outside of The Shield every single person in the film would have been arrested within about… hmmmm 15 minutes.
But these minor quibbles aside? Nope. Nothing else from me. Drop everything , SEE IT NOW and please don’t let it turn into this years The Nice Guy’s.