And so, in the year 2017, in the most expensive musical ever made with a budget of 160 million dollars, starring Emma Watson and… some guy off of Downtown Abbey, all the debate surrounding the classic tale of a young girl coming to grips with her inner furry via the time honored medium of Stockholm Syndrome has been about the character of LeFou who is the first ever officially gay character in a Disney film.
And I do mean all the debate, In Russia,Duma member Vitaly Milonov (who has previously compared homosexuality to bestiality) agitated the culture minister for banning of the film, but instead it was given a 16+ rating (children under the age of 16 can only be admitted to see it in theaters with accompanying adults). Additionally, a theater in Henagar, Alabama will not screen the film because of the subplot In Malaysia, the Film Censorship Board insisted the “gay moment” scene be cut, prompting an indefinite postponement of its release by Disney, followed by their decision to withdraw it completely if it could not be released uncensored. The studio moved the release date to March 30, to allow more time for Malaysia’s censor board to make a decision on whether or not to release the film without changes and will be released on the said date with a PG-13 rating but with no cuts. In the end, the Malaysian Censorship Board decided not to ban the film.
But what shocked me the most though, was that China who usually have a ‘no gays ever, under any circumstances’ policy on films . And that’s probably because there’s not really anything there. I mean I wasn’t exactly expecting him to stomp around the set waving a rainbow flag and I did find him a bit too Smithers’y for my taste but there was no line or moment that I haven’t seen before in a Disney film. The charterer of Hades from Hercules comes to mind.
But in a way i’m glad for this pointless controversy because what else is there to say? Have you seen the original? Good, stop there and save yourself the hassle because you have seen this film. And the singing is better. And it’s a mere 81 minutes instead of a bloated 129 minutes and the servants actually look kind of cute instead of horrifying nightmare fuel.
I did like that a plot aspect from the Broadway show – that the servants are becoming more mechanical with every petal that falls, the songs that apparently come with it? Not so much. Just because a song works within the limitations of a stage doesn’t mean it’s going to work in a film adaptation!
Beauty and the Beast is the latest in the baffling live-action adaptation faze that Disney seems to be going through. It passed the time well enough but it’s bland, forgettable and in dire need of the editors scissors.
My Score- If Nothing Else